This issue mines the world of sculpture, specifically representations of the male form, for its aesthetics. Taking elements from general styles, rather than any one specific piece, it’s a remarkable looking piece. It’s quite incredible to remember that ancient and Renaissance artists were sculpting work of this quality using simple tools, in blocks of marble, and other stones.

Again, this is a fully stackable piece, with the obverse having a perfect negative imprint of the front face. At 80 mm in height, it makes full use of the two ounces of silver. This is the first such design in the range, but the next one will be of the female form. Can’t wait to see that, given the challenges of greater depth requirements.

This is a fully stackable piece, with the obverse having a perfect negative imprint of the front face. At 80 mm in height, it makes full use of the two ounces of silver.